Angel Corella is regarded as one of the finest dancers of his generation. His talent, passion, and technique have brought him worldwide acclaim and established him as one of the most recognizable names in dance. Angel was appointed artistic director of Pennsylvania Ballet beginning with our 2014/2015 season.

Angel joined American Ballet Theatre in 1995 and quickly rose to the rank of principal dancer. Throughout his 17-year career with them, he excelled in a wide range of repertory, performing such iconic roles as Prince Siegfried in Swan Lake, Romeo in Romeo and Juliet, and the Nutcracker Prince in The Nutcracker. He has also appeared as a guest artist with the Royal Ballet in London, the Kirov Ballet in Russia, and New York City Ballet. As well, Angel has received numerous awards, including 1st prize in the National Ballet Competition in Spain (1991), the Prix Benois de la Danse (2000), and the National Award of Spain (2003). He has danced for Queen Elizabeth II, Queen Sophia of Spain, and for Presidents Bill Clinton, George W. Bush, and Barack Obama.

Angel’s onstage passion and talents have translated to his behind-the-scenes career as well. From 2008 to 2014, he served as director for his own company, the Barcelona Ballet (formerly the Corella Ballet), in his native Spain, where he is regarded as a national treasure. His was the first classical ballet company established in the country in 20 years. And while Angel retired from American Ballet Theater in June 2012, he continued to dance with his own company.

A passionate teacher and mentor to young professional dancers, Angel has taught at various summer programs as well as leading dance schools, including the Royal Ballet School in London. He now applies that same passion, verve, and balletic insight to the dancers of Pennsylvania Ballet.




Ludwig Minkus, the ballet composer and violinist, was born in Vienna in 1826. Minkus made his appearance as a composer in Paris in April, 1846, with Paquita, which was written jointly with Edward Deldevez and choreographed by Joseph Mazilier. La Fiammetta, with choreography by Saint-Leon (February 13, 1864) and Nemea (July 14, 1864) followed. He next collaborated with Delibes on La Source and composed music for two more ballets with Saint-Leon as the choreographer — Le Poisson d’Or and Le Lys — in Paris.

In 1853 he went to Russia as the conductor of Prince N. B. Yussupov’s serf orchestra in St. Petersburg and was a soloist in the Moscow Bolshoi Orchestra from 1861-1872. He also taught at the Moscow Conservatory (1866-1872). From 1864-1871 Minkus was the official ballet composer at the Bolshoi Theatre in Moscow. In 1871 he was transferred to St. Petersburg, where he worked until 1891 when his position was eliminated and he was retired. Discontent with his small pension (the equivalent of about $285.00 a year), the composer left Russia for Austria, where he died, in 1917, at the age of 91. The composer of over twenty ballets, among them Don Quixote, Roxanna, Camargo, Papillons, The Bandits, The Adventures of Peleas, La Bayadère, The Daughter of the Snows, The Magic Pills, Mlada, Kalkabrino, and Day and Night, Minkus was an excellent craftsman in the style of ballet music of his day. His music is melodic and distinguished by clear dance rhythms.



Lighting Designer

Michael Korsch is a lighting, projection and scenic designer based in Philadelphia, PA, where he earned his BA in theatre at Temple University. He has worked with numerous directors and choreographers, creating hundreds of visual designs for dance, theatre and other live performances throughout North and South America, Europe, Australia and Asia. Michael has been the resident lighting designer and technical director for Complexions Contemporary Ballet since 1998, the resident lighting designer/director for Ballet Arizona since 2001, and the lighting/technical director for the Laguna Dance Festival since 2005. In addition, he has designed for Alvin Ailey American Dance Theater, American Ballet Theatre, Aspen Santa Fe Ballet, BalletMet, Ballet Nice Méditerranée, BalletX, Carolina Ballet, Charlotte Ballet (formerly North Carolina Dance Theatre), Cleveland Play House, DanceBrazil, Dance Theatre of Harlem, Dayton Contemporary Dance Company, Disney Creative Entertainment, English National Ballet, FELA! The Concert, Hubbard Street Dance Chicago, MOMIX, Oakland Ballet, Pittsburgh Ballet Theatre, Royal Danish Ballet, Sacramento Ballet, Staatsballett Berlin, and Washington Ballet among others.

Source. With edits made.

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Season & Tickets

Whether you enjoy the grandeur and pageantry of full-length ballets or the breathtaking innovation of more contemporary works, our 54th season consists of a mixed repertoire designed to thrill and delight.

Meet the Ballet

Pennsylvania Ballet comprises a team of dedicated professionals—each one devoted to bringing you the most thrilling and inspired works ballet has to offer.

The School

The School of Pennsylvania Ballet offers the highest caliber dance education of any program in the Greater Philadelphia area, providing our students with exceptional technical training and unparalleled performance opportunities.